Printed in 22 de December de 2024 Print
Sigmund Freud proclaimed: “when inspiration does not come to me, I go halfway to meet it”, and Picasso said “inspiration exists, but it has to find you working”. At Legatum we also belive that, and we are persuaded that any spark can start the fire of leisurely and productive reflection. This page collects the most up-to-date information possible on Liberalia, a harvester of information regarding exhibitions, artistic and cultural heritage and other elements of Art History the epistemology. It works like a search engine, selecting the most reliable, serious and varied sources possible, because estrus blows where and when it wants. Use them at your convenience. And if any of the news moves your spirit and encourages you to think about a topic related to the preservation of historical, artistic, archaeological and cultural heritage, our objective will be accomplished. Oh, it’s the 20 most recent items and they’re sorted by relevance.
ArtNet. I Glimpsed the Art World’s Future in Times Square. It’s A.I.-Based, Female, and Mind-Bending. 22 de December de 2024 00:04. art, artistic, artist, exhibition, painting, sculpture, architect, exhibited, paint, sculptures.
Laurie Simmons has taken over the famous site with a groundbreaking A.I.-driven art installation. Shortly before midnight on Wednesday, I found myself in Times Square, standing in the rain, in the presence of several of the art world’s greats, like critic Roberta Smith and artists Louise Lawler, Marilyn Minter, and Laurie Simmons. The images came like waves, perfectly synchronized on all those screens, forming a monumental, ravishing immersive art installation. A spell descended over one of the busiest spots of New York City. In the art world, “next gen” is the talk of the town, from the aisles of trade shows like Art Basel Miami Beach, to cutting-edge institutions like London’s Serpentine Galleries, to new podcasts like Artwrld. Everyone is trying to figure it out. What will the next generation of artists dream up? What tools will they use? Will A.I. make traditional art obsolete? How will this affect collecting? The “Great Wealth Transfer” is under way, with the estimated $84 trillion poised to change hands by 2045. What art will newly rich millennials and Gen-Zers buy? Will they buy art at all? I turned to Hans Ulrich Obrist, the omnipresent artistic director of London’s Serpent
