{"id":283,"date":"2021-09-06T17:41:51","date_gmt":"2021-09-06T15:41:51","guid":{"rendered":"https:\/\/legatum.iarthislab.eu\/?page_id=283"},"modified":"2021-09-08T12:15:03","modified_gmt":"2021-09-08T10:15:03","slug":"inspiration","status":"publish","type":"page","link":"https:\/\/legatum.iarthislab.eu\/en_US\/inspiration\/","title":{"rendered":"Inspiration"},"content":{"rendered":"<div class=\"initial-letter\"><p>Sigmund Freud proclaimed: &#8220;when inspiration does not come to me, I go halfway to meet it&#8221;, and Picasso said &#8220;inspiration exists, but it has to find you working&#8221;. At <a href=\"https:\/\/legatum.iarthislab.eu\/what-is-legatum\/\">Legatum<\/a> we also belive that, and we are persuaded that any spark can start the fire of leisurely and productive reflection. This page collects the most up-to-date information possible on <a href=\"https:\/\/liberalia.iarthislab.eu\/\" target=\"_blank\" rel=\"noopener\">Liberalia<\/a>, a <em>harvester<\/em> of information regarding exhibitions, artistic and cultural heritage and other elements of Art History the epistemology. It works like a search engine, selecting the most reliable, serious and varied sources possible, because estrus blows where and when it wants. Use them at your convenience. And if any of the news moves your spirit and encourages you to think about a topic related to the preservation of historical, artistic, archaeological and cultural heritage, our objective will be accomplished. Oh, it&#8217;s the 20 most recent items and they&#8217;re sorted by relevance.<\/p><\/div>\n<div class=\"iasd-liberalia-list\">\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/list\/art-news\/artists\/belarus-free-theatre-venice-exhibition-photos-1234787093\/\">Inside Belarus Free Theatre's Venice Exhibition on Authoritarianism<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">curator, art, exhibition, painting, sculptures, architecture, sculpture, history, artistic, paintings<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>When the Belarus Free Theatre opened \u201cOfficial. Unofficial. Belarus.\u201d at La Chiesa di San Giovanni Evangelista di Venezia earlier this month, it marked the first time Belarus had a presence at the Venice Biennale in six years\u2014and the first time it appeared there not as a state, but, as curator Daniella Kaliada put it, as \u201ca self-governing, self-authored cultural body.\u201d In Venice, the Theatre translates its approach to visual art, stepping away from the plays and theater productions that have become its calling card, to stage an exhibition featuring Belarusian artists working across painting, installations, and large-scale sculptures. The aim is to make the experience of living under authoritarianism viscerally legible\u2014not just visible. \u201cWe didn\u2019t want visitors simply to learn about a situation,\u201d cofounder Natalia Kaliada told ARTnews in April. \u201cWe wanted them to pass through it: the architecture, feeling, sound, scent, sculpture, obstruction, surveillance, ritual, and bodily experience.\u201d The works on view draw on Belarus\u2019s decades-long experience of repression as both a specific history and a wider warning. As Kaliada said, what once read as a story from the periphery \u201ccan now be u<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/art-news\/market\/taiwanese-pop-star-jay-chou-matisse-painting-sothebys-1234787290\/\">Taiwanese Pop Star Is the Buyer of $20 M. Matisse Painting at Sotheby's<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">painting, art<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>While we wait for the buyer of S. I. Newhouse\u2019s $181.2 million Jackson Pollock painting to reveal him- or herself, at least one buyer at the May marquee evening sales has stepped forward: Jay Chou. The Taiwanese pop star posted on Instagram last week that he was winning bidder for the 1924 Henri Matisse painting, La S\u00e9ance du Matin, offered at Sotheby\u2019s modern art evening sale last Tuesday. The Matisse sold for exactly $20 million before fees, ultimately reaching $21.2 million with fees. It carried a $20 million to $30 million estimate. Chou often writes about art, or posts photos of art, on his Instagram. In the post last week, he wrote, \u201cBack when I was in Nice, I used to spend a lot of time standing downstairs outside Henri Matisse\u2019s home, looking up at the balcony by the window. I\u2019d imagine him standing there too someday, staring out at the sunlight over Nice, lost in thought, before walking back into his studio to continue creating. I also used to dream about one day being able to collect one of his works from that period in Nice.Never thought that today, the dream would actually come true.\u201d The text was accompanied [...]<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/list\/art-news\/news\/summer-art-preview-1234786351\/\">46 Museum Shows and Biennials to See This Summer<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">museums, exhibition, art, sculptures, artist, museu, arte, curators, museum, exhibit, paintings, history, curator, painting, sculpture, exhibited, mus\u00e9e, architect, paint, monument, painter, artistic, curated, painters, museo, architecture<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>Spectacle in all its many forms is the big theme of the summer season, when big, glitzy projects will take over museums across the globe. Laure Prouvost has been given a wide playing field for a show about quantum physics at Paris\u2019s Grand Palais, while Carsten H\u00f6ller is planning a vast exhibition for Beijing\u2019s UCCA Center for Contemporary Art, the details of which he has largely kept secret. Meanwhile, Tom\u00e1s Saraceno will bring his monumental sculptures to Munich\u2019s Haus der Kunst; a permanent land artwork by him is also going on view in his native Argentina. He is hardly the only artist considering the land and all the histories embedded within it. Carolina Caycedo is having a show at the Museu de Arte de S\u00e3o Paulo, while the National Gallery of Canada is surveying contemporary Indigenous artists from Inuit Nunaat, S\u00e1pmi, and Denendeh. This is not exactly a new theme, of course, and Ana Mendieta was considering it before many others. Tate Modern is giving her a proper retrospective, in one of the season\u2019s most anticipated art events. This period of relative quiet will also leave collectors, curators, critics, and artists with plenty of time to travel\u2014perhaps to the Venice [...]<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/art-news\/news\/romanian-culture-minister-resigns-morning-links-may-26-2026-1234787245\/\">Romanian Culture Minister Resigns Following Outcry: Morning Links for May 26, 2026<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">museum, art, exhibition, curator, artist, heritage<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>KYIV CULTURE ATTACKED. Early Sunday morning, Russia struck Kyiv and nearby towns with its largest attack on the Ukrainian capital city since 2024; a rare Oreshnik ballistic missile and drones killed four, injured about 100, and hit cultural institutions, according to\u00a0reports. Among the approximately 40 damaged sites are the\u00a0National Chernobyl museum\u00a0and the\u00a0National Art Museum of Ukraine (NAMU), per the\u00a0Kyiv Post. An estimated 40 percent of the Chernobyl museum was reportedly destroyed, while the NAMU\u2019s landmark building was damaged by a blast wave. No artworks were harmed in the NAMU, which was recently restored and reopened in the summer of 2023. On May 21, it debuted a \u201cperformance-exhibition\u201d by\u00a0Holyi\/Kostiantyn Mishukov\u00a0and\u00a0Oleh Tistol, about art as a form of therapy during war. \u201cWe saw how deeply art is capable of supporting people in times like these,\u201d curator and artist\u00a0Hanka Tretiak\u00a0told the\u00a0Kyiv Post. Following the strike, the exhibition had to be dismantled. \u201cRussians are destroying cultural heritage that belongs not only to Ukraine, but to all of Europe and the world,\u201d said Tretiak. \u00a0Related ArticlesArchaeologist Who May Have Found D'Artagnan's Skeleton Was Arrested, Co<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/art-news\/news\/kazakhstan-pavilion-venice-biennale-censorship-open-letter-1234786973\/\">Open Letter Decries 'Censorship' of Kazakh Artist at Venice Biennale<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">artist, exhibition, art, curator, museo, storico, museum, exhibited, history, curators<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>Controversy has once again reached the Venice Biennale, this time at the Kazakhstan pavilion, where artist \u00c4sel Kadyrhanova\u2019s presentation was reportedly dismantled prior to the exhibition\u2019s opening. The fallout has left fractures within the Kazakhstani art community and among the pavilion\u2019s organizers in Venice, with conflicting accounts emerging over who ordered the work\u2019s removal and why. The news emerged in a May 21 open letter signed by prominent members of the Kazakhstani art community and published on e-flux. The letter alleges that \u00c4sel Kadyrhanova\u2019s multimedia installation Machine (2013)\u2014a meditation on Stalin-era repression in Kazakhstan\u2014was dismantled on May 5 on the orders of the nation\u2019s Ministry of Culture, or by individuals acting on behalf of the pavilion\u2019s organizers, after negotiations between Kadyrhanova and the pavilion\u2019s curator, Syrlybek Bekbota, failed. In a May 11 article published by the Kazakh media outlet Vlast, titled \u201cKazakhstan\u2019s Ministry Removes Kadyrkhanova\u2019s Work from the Venice Biennale,\u201d representatives of the Museo Storico Navale di Venezia, the Italian Navy\u2013affiliated museum hosting the exhibition, denied any role in the work\u2019s removal. D\u2019Uva, t<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/art-news\/news\/mocad-detroit-reopening-new-vision-1234787243\/\">Detroit\u2019s MOCAD Reopens with a New Vision and a New Kind of Leadership<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">museum, art, artistic, artist, history, exhibition, curated, monument<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>At the core of this vision is ensuring that artists are at the center of everything the museum does. \u201cArtists will always exist; institutions maybe won\u2019t always exist,\u201d said Jova Lynne, MOCAD\u2019s artistic director who serves as co-director with Marie Madison-Patton, the chief operating officer. \u201cPutting artists at the forefront and acknowledging the multiplicitous lives that are lived is a cornerstone to what we are doing for this 20th year at MOCAD.\u201d Lynne and Madison-Patton have given MOCAD\u2019s new chapter a title: \u201cA Practice of Multiplicity.\u201d Lynne described this approach as focused on \u201cuplifting the wholeness of the artist and what they bring to the institution and their communities. We accept artists as they are, not just how the art world allows them to exist.\u201d For them, that means being realistic that artists can also have full-time jobs, are raising children, and are caring for their family or other members of their community. \u201cThat all goes into the work,\u201d Lynne added. Community is also key to the just-completed renovation, which focused primarily on much-needed infrastructural updates, including adding an HVAC system, to make its home, a former auto dealership, more hospitab<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/art-news\/news\/spain-recovers-lucas-valdes-paintings-auction-1234787266\/\">Spanish Police Recover Missing Lucas Vald\u00e9s Paintings Before Auction<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">paintings, artist, exposition, art, museums, museum, museo, arte, history, heritage<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>Spanish police have recovered two 17th-century paintings by the Sevillian artist\u00a0Lucas Vald\u00e9s\u00a0that disappeared nearly a century ago after the 1929 Ibero-American Exposition in Seville, according to authorities. The works surfaced earlier this year when they were consigned for auction, prompting an investigation by Spain\u2019s National Police and the country\u2019s culture ministry.\u00a0 The two oval-shaped oil paintings on pine panel once belonged to the Hospital of the Venerable Priests in Seville, where they formed part of the decoration for the church\u2019s main altarpiece. The paintings were loaned out for the 1929 exposition and never returned. Their whereabouts remained unknown for decades.\u00a0 According to\u00a0El Pa\u00eds, the investigation began in September 2025 after Spain\u2019s Culture Ministry, alerted by the Archdiocese of Seville, notified police that two works scheduled to go up for auction appeared to match the long-missing Vald\u00e9s paintings. Authorities intervened before the sale could proceed, effectively freezing the transaction while investigators confirmed the works\u2019 identities.\u00a0 Police ultimately contacted the paintings\u2019 owners to explain the works\u2019 legal and patrimonial status. Following neg<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/art-news\/news\/russian-strike-national-art-museum-ukraine-1234787314\/\">Russian Strike on Kyiv Damages National Art Museum of Ukraine<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">art, museum, historic, exhibition, history, heritage<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>According to a report from Reform.news, \u201cThe blast wave damaged the museum\u2019s historic fa\u00e7ade: windows were blown out, window frames damaged, and plaster partially collapsed from walls and inside several halls. In addition, the glass covering of the skylight roof, which provides natural overhead lighting for the exhibition halls on the second floor, was damaged.\u201d The halls of the museum were empty during the attack, after valuable holdings were moved to secure storage during the first days of the Russian invasion. Tatsiana Berezhna, Ukraine\u2019s Deputy Prime Minister for Humanitarian Policy and Minister of Culture, said in a statement, \u201cThe National Art Museum of Ukraine is a place where the history of Ukrainian art is preserved. Russia is systematically attacking civilian infrastructure and cultural institutions. Every such strike is an attempt to intimidate and destroy our identity. We are documenting all damage and continue working on restoring our damaged cultural heritage.\u201d The Ministry of Culture is currently preparing an appeal to UNESCO, the UN agency whose duties include the protection of cultural and natural heritage. As noted by Reform.news, \u201cSince deliberate or collateral s<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/art-news\/news\/tess-jaray-painter-dead-1234787293\/\">Tess Jaray Dead: Influential Abstract Painter Dies at 88<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">painter, artist, paintings, art, painting<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>Tess Jaray, a British painter whose understated abstractions explored patterns that recur throughout the world, died on Sunday, according to an obituary posted to the artist\u2019s official Instagram account. She was 88. Jaray specialized in paintings of grids, cubes, and undulating zigzags, all of them set atop palely colored backgrounds. She began making them during the 1960s, at a time when Minimalism reigned supreme across the pond, in the US. But her works exerted a quieter presence, without much of the drama that accompanied that movement. She described a desire to reach something embedded deep within the human condition using these abstractions. In 2019, she told Studio International that she wanted \u201cto make sense of the obsessive searching for patterns and repetition in nature and in art that have been so important \u2026 They may be seen as a meeting point, a coming together of the head and the heart and the external and the internal.\u201d While Jaray may lack the name recognition had by some of the most famous artists of her era, she was influential, with her work looked at by artists of many generations\u2014some of whom studied with her at London\u2019s Slade School of Fine Art, where [...]<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/art-news\/news\/palestinian-protesters-art-basel-miami-jew-hater-billboard-1234787304\/\">Art Basel Miami Protestors Sue Politician Over \u2018Jew Hater\u2019 Billboard<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">art, artist<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>Demonstrations have been organized at each edition of the fair since 2023. Protestor Cristina Rivera, an artist and technologist, told ARTnews in 2024 that organizers were using Art Basel, a major tourist attraction, as a platform to amplify concerns about Israel\u2019s war in Gaza. The organizers oppose Miami Beach\u2019s investment in Israel Bonds, which the city had doubled to $20 million the previous year. In 2023, the protesters also gathered outside the fair, calling for a ceasefire in Israel\u2019s war in Gaza.<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/en_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">ARTNews<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/www.artnews.com\/art-news\/news\/nick-doyle-ava-ai-oracle-perrotin-1234787165\/\">Nick Doyle Uses AI and Denim Collages to Explore American Mythmaking<\/a>. <span class=\"iasd-liberalia-date\">27 de May de 2026 00:03<\/span>. <span class=\"iasd-liberalia-keywords\">exhibition, art, history<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>Doyle\u2019s installation\u00a0Mirror, Mirror\u00a0sits at the center of his new exhibition,\u00a0\u201cCollective Hallucinations,\u201d which closes on May 30. From the outside, the structure, which sits in the middle of the third floor gallery, resembles the kind of psychic storefront you might pass in a fading California strip mall. A sign advertises \u201cPsychic Readings $10 Special.\u201d Inside is Ava: an AI avatar with the cadence of a slightly chaotic influencer, equal parts life coach, reality-TV confessional, and amateur therapist. It\u2019s an important detail. Ava sounds eerily close to the flattened influencer cadence that now dominates huge parts of online culture, from TikTok therapists and startup founders to art-world personalities trying desperately to turn themselves into social media brands. Every sentence arrives polished into bite-size emotional shorthand\u2014ridiculous, slightly glib, but not entirely wrong. For Doyle, who grew up in Southern California, the project came from reading about the history of the American West, from Manifest Destiny and railroad expansion to the Dust Bowl and Silicon Valley. The exhibition\u2019s denim collages \u2014 cacti, mountains, fences, car keys \u2014 frame AI as the latest version of<\/p><\/div>\n<div class=\"iasd-liberalia-header\"><p><img decoding=\"async\" src=\"https:\/\/legatum.iarthislab.eu\/wp-content\/themes\/iasd-theme-four\/assets\/images\/flags\/es_rnd.svg\" class=\"iasd-liberalia-flag\"><span class=\"iasd-liberalia-sitename\">Las Provincias<\/span>. <a target=\"_blank\" rel=\"nofollow\" href=\"https:\/\/agenda.lasprovincias.es\/terrenomental\/la-fundacion-san-pablo-ceu-se-suma-a-la-iniciativa-terrenomental-de-vocento\/?pppp\">Noticias de Cultura en Valencia | Las Provincias<\/a>. <span class=\"iasd-liberalia-date\">26 de May de 2026 14:31<\/span>. <span class=\"iasd-liberalia-keywords\">artistas, historia, artista, museo, exposici\u00f3n, pintora<\/span>.<\/p><\/div>\n<div class=\"iasd-liberalia-brief\"><p>Kiko Mart\u00ednez, que fue productor de \u00c1lex de la Iglesia y Eduardo Casanova, llevar\u00e1 a la gran pantalla la muerte del concejal de Ermua en manos de ETA | \u00abEs una historia que marc\u00f3 a toda una generaci\u00f3n. Que no caiga en el olvido\u00bb, afirma La artista ha visitado 'El Hormiguero' para hablar sobre sus nuevos proyectos musicales La piezas del Museo de Bellas Artes forman parte de la exposici\u00f3n 'A la manera de Italia' La pintora, que denunci\u00f3 a un acosador en 2019, pone en manos de la Polic\u00eda el robo de una pieza y la rotura del cristal de la puerta del local de Barcelona<\/p><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sigmund Freud proclaimed: &#8220;when inspiration does not come to me, I go halfway to meet it&#8221;, and Picasso said &#8220;inspiration exists, but it has to find you working&#8221;. At Legatum we also belive that, and we are persuaded that any spark can start the fire of leisurely and productive reflection. This page collects the most [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":279,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-283","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/pages\/283","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/comments?post=283"}],"version-history":[{"count":4,"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/pages\/283\/revisions"}],"predecessor-version":[{"id":299,"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/pages\/283\/revisions\/299"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/media\/279"}],"wp:attachment":[{"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/media?parent=283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/categories?post=283"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/legatum.iarthislab.eu\/en_US\/wp-json\/wp\/v2\/tags?post=283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}